![]() It was a pretty exciting movie, there were plenty of heart-pounding scenes," Reynolds said.įree t-shirts aren't much in the way of payment for creating an iconic weapon in science fiction history, but the scene speaks for itself. I was just in awe thinking, this is a weapon I made, up on screen. "I only watched it one time in the theater, and I wasn't there trying to gauge response. I got to benefit because I could say, 'Hey, I did that!' I don't know how many people sit in the movie before the date shows and the screen goes blank, and that's how long you'd have to be there until you know where the laser comes from." He says it was worth it to look back as an accomplishment, and recently Schwarzenegger sent a signed poster. "The company doesn't get a lot of things off it. "I've seen postcards in Europe with the same picture on it," Reynolds told Ars. The finished gun became a large part of the film, figuring in multiple key scenes and becoming a large element in the poster. Each of these weapons required a new design, but the prop house asking about the weapon wasn't willing to. Reynolds had made a small power supply for the Colt, and also designed power supplies for lasers placed on a shotgun and the Ruger Mini-14. That makes the power supply a tricky thing to design. Once ignited, they take 1,000 volts to keep them running. All the newer lasers are solid state, about the size of an aspirin or smaller." HeNe lasers are much larger than that, he explained, and required about 10,000 volts to get started. "At that time we were dealing with helium neon laser. This was the early days of lasers for commercial use. We designed a power supply that was smaller than a small candy bar and had to fit inside the grip, fed by a rechargeable 12 volt battery." We had to machine the frame and mounts the sights were taken off the weapon to mount the laser on top. They were also very expensive, and we highly modified the weapon. "It was a viable product out in the marketplace, primarily law enforcement. As early as 1978 he designed a laser sight for the Colt Trooper. This wasn't the first time Reynolds had put a laser on a gun. They came down and met with me, and told me they wanted something to go on the weapon." What weapon? "AMT Longslide, Hardballer." "I got a call from one of the prop houses, and they told me what they wanted to do. How did he get involved with the Terminator? Advertisement We keep the place running," Reynolds said when we spoke on the phone. "I'm vice president of the Operations Group. More than a little jazzed about bumping into a fun part of film history, we knew we had to get the full story behind the Terminator's gun. They told me the gentleman who built the prop was named Ed Reynolds, and he was still with the company. We talked about some of our favorite moments with technology in cinema, and The Terminator came up. ![]() At a party during CES, Deputy Editor Jon Stokes and I bumped into some representatives from SureFire, a company that specializes in tactical flashlights. It made the Terminator seem other-worldly and terrifying. ![]() Terminator was released in 1984, and while laser sights on weapons are common now, when the film was first shown the red laser was able to communicate something subtle and powerful to the audience: this is a machine, deadly accurate and futuristic. Who can forget the scene in the gun shop? The gun was likewise such a striking presence on screen it was used on the film's poster. One of the most striking images from The Terminator was the weapon he carried and used in his first attempt on Sarah Connor's life: the.
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